
John is joining the panel with Pat Hoffie, Kevin Grealy and Merv for In Conversation with Merv Moriarty at the Judith Wright Centre on 8 October.
How and when did you first come to be involved with Flying Arts?
In 1973 when I was 20, I was transferred to Bundaberg to teach art at one of the secondary schools there. I started attending Eastaus (Flying Arts) in either late 1973 or 1974. I cannot remember how or why, I started painting there and must have heard along the grape vine. I was aware of Merv as an artist and had seen his paintings/exhibitions when a student in Brisbane.
What was your first impression of ‘the flying artist’ himself?
I was completely enchanted by Merv like everyone else. He was very charismatic and as my training was limited to only 2 years, I was certainly in need of more. Apart from Merv as a person, his knowledge, sensitivities to art making and teaching were wonderful.
What was the most profound learning or experience you gained from Merv’s teachings/your involvement with Flying Arts?
Colour and the respect for the making process and materials. The lessons in the booklets that Merv provided – wonderful! The artists he sometimes brought with him. And what he demonstrated to me as a very young art teacher as a teacher – profound influence.
Where can you see this influence in your practice/career today?
The most evident presence is the teaching of colour, but so much more – and from the other AFAS teachers Bela Ivanyi and Roy Churcher as well.
Image Captions:
- John Honeywill
- Roses 2015, John Honeywill, Oil on Linen, Courtesy of Philip Bacon Galleries and the artist
Photograph: Jon Linkins
- Zucchini Flowers II 2015, John Honeywill, Oil on Linen, Courtesy of Philip Bacon Galleries and the artist Photograph: Jon Linkins
